The Return of Curves: Lara Stone
Known for larger breasts, bleached eyebrows, a sizeable gap between her two front teeth, and hips that round out between a U.S. size 4 and size 6, Lara Stone is different from what we’ve become accustomed to seeing on the runway and in fashion magazines.
(While a size 4 is still extremely thin, size 4 models are almost unheard of in the modeling business. Today, most models average between a size 0 and a size 2.)
Stone’s commanding presence and comparatively curvy physique are a throwback to the times of “supermodels” like Cindy Crawford, Claudia Schiffer, and Naomi Campbell, women known for their beautiful curves and Amazonian stature.
Most interesting is the fact that designers are falling head over heels in love with Stone’s body. Just this year, Stone walked in all of the major fashion shows, renewed her contracts with Givenchy and Hugo Boss, and became the new face of Jean Paul Gaultier. In February, Vogue Paris dedicated an entire issue to Stone.
Of course, it is frustrating that it took almost 20 years for the enthusiasm for rail-thin bodies to wane. During the early 1990s, Kate Moss burst onto the scene in a highly publicized campaign for Calvin Klein. In the fashion world, one girl can change everything. No one is a better example than Moss. With her protruding bones and childlike frailty, Moss became synonymous with the terms “waif” and “heroin chic,” and the fashion industry embraced her physique as the new sought-after look for models on the runways and in advertisements.
Stone’s growing success, and the fact that designers have not pressured her to slim down, are promising signs that designers are embracing a healthier, more inclusive shape for women’s bodies. With the foundation set for fashion’s return to curvaceous, tall figures, now is the perfect time for a new “it” girl, a symbolic body that signifies the changing times. Lara Stone’s increasing success suggests it may be time for Kate Moss, and her waif-like predecessors, to pass the torch.